I run More Clix Media solo. That's deliberate — the person you meet is the person who shoots, edits, builds, and buys your media. It also means my calendar is finite. These tiers are how I decide who gets what share of it.
One retainer client, eleven months. Eleven shoot days produced 20 commercials, roughly 2,000 images, 100 graphics and 30+ billboards — assets he owns outright and can re-run for years. That's what a retainer buys that a project never does.
Every tier includes creative production and campaign management. What changes as you move up is how much of me you get, and how fast.
The door. A working retainer for brands that need to show up consistently and stop starting over every quarter.
The working partnership. For brands running real campaigns across real channels, with a strategist attached to them.
Everything in Chrome, plus:
Cannot be purchased. Extended to Cobalt clients after six months, when the work has proven itself in both directions.
Everything in Cobalt, plus:
Every retainer draws from all of it. The tier decides how much runs in a given month — not which doors are open to you.
Commercials, social cutdowns, brand films. One shoot, sliced for every placement and every ratio.
02Meta campaigns built, run and optimized in-house — so a winning hook becomes a winning ad the same week.
03Billboard creative and placement. Negotiated and managed by me, billed direct to you, never marked up.
04Sites built around a single job — turning a visitor into a booked consultation.
05Organic presence managed against the same creative system the paid campaigns run on.
06One face, one line, everywhere. If a channel isn't connected to the rest, it's a leak.
Every member receives a milled metal credential — brushed steel for Chrome, cobalt inlay for Cobalt, matte black on black for Onyx. No name, no expiry. Just the mark, the tier, and a serial.
Numbered 001 through 003. The engraving on the Onyx card is unfilled — black on black, legible only when it's tilted into the light. It's the quietest of the three, which is exactly why it reads as the most valuable.
An annual private screening. Members are invited; Onyx members are the program. It isn't a networking mixer with a banner — it's a room full of people who could hire you, watching a film about your business on a cinema screen.
I produce a 90-second film about your business — not a testimonial about me — and premiere it to the room. You collect your card on stage. Afterward the film is yours to run on your own channels, for as long as you want it.
Named from the stage, card delivered at your table, and seated among a guest list built from the best businesses I know in Fairfield County. Every member brings one guest.
Invited to the reception, credential handed over at check-in. The fastest way to understand what the tiers above you actually get is to stand in the room and watch it happen.
Onyx gives up first position on my calendar. I only have one of those, and I'm not handing it to someone I've never worked with. The invitation is the point.
Six months minimum in Cobalt. Long enough for both of us to know whether this is working — and honest enough that either of us can walk away.
If a seat is open and the partnership has earned it, I extend Onyx. Not a form, not an application, not an upsell email. A conversation.
The rate you enter at is the rate you keep, for as long as the engagement runs. Published pricing moves. Yours doesn't.
Two ways to work together without committing monthly. Most retainer clients started at one of them.
One full production day. You walk away with a finished 30-second commercial and a complete photo set — enough to carry your marketing for a full quarter. The most common way people meet me.
A website, a campaign launch, a brand film, an out-of-home buy. Scoped and quoted individually against what the project actually needs. No retainer required, and none implied.
Six months minimum, then month to month. Thirty days' notice to end it, either side.
Six months is deliberate. The first sixty days go into building a creative library and learning your market, and the work doesn't start compounding until after that. Anything shorter and you'd be paying for the setup without ever seeing the return it was built for.
No — and I never mark it up. Media is negotiated and managed by me but billed direct to you, so you see exactly what the platform or the vendor charges. My fee is for the work, not a percentage of your budget.
A complete piece of finished video, taken from concept to final delivery — roughly a half day of editing plus everything around it. A commercial, a brand piece, or a campaign spot, delivered with the cutdowns and aspect ratios each placement needs.
Anyone looking for the cheapest option. Chrome is a floor, not a discount — if $2,750 a month is the wrong number for your business, a Media Day or a commissioned project will serve you better than a retainer will, and I'll tell you that on the call.
Chrome to Cobalt, any time — the new rate starts the following month. Cobalt to Onyx is not a purchase. It requires six months of history and an open seat, and I extend it rather than you requesting it.
I do. I shoot it, I edit it, I build it, I buy the media. There's no account manager, no handoff, and no junior on your file. That's the constraint the tiers exist to manage.
Yes. The production work travels and the campaign work is location-agnostic. On-site presence at the Onyx tier is easier to deliver within reasonable driving distance of Bridgeport — worth raising early if you're further out.
Tell me what you're trying to move. I'll tell you honestly whether I'm the right person to move it — including when the answer is no.
Start a ConversationOr read the Tom Ganim case study first — eleven months, six disciplines, every number sourced.