
I run More Clix Media solo, by design — the person you meet is the person who shoots, edits, builds and buys your media. That means my calendar is finite. These tiers are how I decide who gets what share of it.
One retainer client, eleven months. Eleven shoot days produced 20 commercials, roughly 2,000 images, 100 graphics and 30+ billboards — assets he owns outright and can re-run for years. That’s what a retainer buys that a project never does.
The door. A working retainer for brands that need to show up consistently and stop starting over every quarter.
The working partnership. For brands running real campaigns across real channels, with a strategist attached.
Everything in Chrome, plus:
Cannot be purchased. Extended to Cobalt clients after six months, when the work has proven itself both ways.
Everything in Cobalt, plus:
Commercials, cutdowns and brand films — one shoot, sliced for every placement and ratio.
02Paid mediaMeta campaigns run in-house, so a winning hook becomes a winning ad the same week.
03Out-of-homeBillboard creative and placement, billed direct to you and never marked up.
04Web designSites built around one job — turning a visitor into a booked consultation.
05Social mediaOrganic presence run on the same creative system as the paid campaigns.
06Brand strategyOne face, one line, everywhere. A channel that isn’t connected is a leak.
Every member receives one — no name, no expiry. Just the mark, the tier and a serial. Three Onyx cards will ever exist, numbered 001 to 003, engraved black on black and legible only when tilted into the light.
A 90-second film about your business, premiered to the room. You collect your card on stage — and the film is yours to run for as long as you want it.
Named from the stage, card at your table, seated among some of the best businesses I know. Every member brings a guest.
Invited to the reception, credential at check-in — the fastest way to see what the tiers above actually get.

Long enough for both of us to know it’s working — and honest enough that either can walk away.
If a seat is open and the partnership has earned it, I extend Onyx. Not a form, not an upsell email.
The rate you enter at is the rate you keep. Published pricing moves. Yours doesn’t.
Every month inherits the last one’s footage, data and winners.
One full production day. A finished 30-second commercial and a complete photo set — enough to carry your marketing for a quarter.
A website, a campaign launch, a brand film, an out-of-home buy — scoped and quoted individually. No retainer required, and none implied.
Six months minimum, then month to month, with thirty days’ notice either side. The first sixty days build a creative library and learn your market — the work starts compounding after that.
No — and I never mark it up. Media is negotiated and managed by me but billed direct to you, so you see exactly what the platform or vendor charges.
A complete piece of finished video, concept to final — a commercial, brand piece or campaign spot, with the cutdowns and ratios each placement needs.
Anyone looking for the cheapest option. Chrome is a floor, not a discount — if $3,750 a month is the wrong number for your business, a Media Day or a commissioned project will serve you better, and I’ll say so on the call.
Chrome to Cobalt any time — the new rate starts the following month. Cobalt to Onyx requires six months of history and an open seat, and I extend it.
I do. I shoot it, edit it, build it and buy the media. No account manager, no handoff, no junior on your file.
Yes. Production travels and campaign work is location-agnostic. On-site presence at Onyx is easiest within driving distance of Connecticut — worth raising early if you’re further out.